ESQUIZOFILMIA
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​FILM STUDIES
1. CONFERENCES
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7th AVANCA Cinema 2016 - International Conference Cinema - Art, Technology, Communication, Avanca, Portugal, 2016.
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6th AVANCA Cinema 2015 - International Conference Cinema - Art, Technology, Communication, Avanca, Portugal, 2015.
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31st Annual Dream Conference, “Film and Dreams,” Berkeley, CA, 2014.
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Bodies In Between Conference, “Corporeality and Visuality from Historical Avant-garde to Social Media,” Babes-Bolyai University, Cluj-Napoca, Romania, 2014.
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Bulgarian South-West University, “Visualization of Philosophical Ideas,” 2013.
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Dreams, Phantasms, and Memory Conference, Gdansk University, Gdansk, Poland, 2013.
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2013 KISS Interfaces Conference, “La trahison des images,” Brussels, Belgium, 2013.
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IV Seminário Conexões, UNICAMP, Brazil 2012.
2. PUBLICATIONS
Editions Cine Clube de Avanca
Portugal, 2016.
Editions Cine Clube de Avanca
Portugal, 2015.
Organized by Atanaska Cholakova...
AZ BUKI NATIONAL PUBLISHING HOUSE.
Bulgaria, 2014.
BRUKENTHAL NATIONAL MUSEUM
Romania, 2015.
Organized by Atanaska Cholakova...
Post conference book Bulgarian South-West University's philosophy conference-exhibit "Visualization of Philosophical Ideas!" (Book cover photography Eliane Lima).
Bulgaria, 2014.
Organized by Silvio Gallo...
Post conference book Campinas University's Deleuzian Conference series "Conexões" (Eliane Lima's short films Djinn and Albertine textualized by Renata Aguiar).
Brazil, 2013.
Organized by Ohio State University Film Studies Program.
volumes 17 and 27, Fall 2009 and Spring 2012. Djinn published @ JSF volume 17 and Albertine @ JSF volume 27.
USA, 2009, 2012.
Organized by San Francisco Art Institute Graduate Program.
Lima's work profile and artist statement, p.68.
Author Eliane Lima.
Essay published in Portuguese @ Centro de Estudos Claudio Ulpiano and presented @ the Dreams, Phantasms and Memories Conference, Gdank University, Poland.
Contact for Teaching & Conferences? Let's Talk.​
TESTIMONIALS
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"Ms. Lima explores veiled human psyche and transforms it to vivid moving images, creating a very personal parlance full of double entendres. She is a consummate filmmaker."
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"There's something hard to place when you see an Eliane Lima photo or film. Where exactly did she take that image of the young girls on the street — the one where one is playing contentedly with a hoop while another looks like she's going to cry in pain? And what exactly is that film about — the one called Djinn that shows a mysterious series of mannequins that seem as alive as the people who stand there in the night air? We aren't really told. And that's how Lima prefers it. She wants the audience to bring their own interpretations, their own feelings, to her imagery. 'When the artist does not give work to us as a finished statement with explanations,' Lima, 45, a Brazilian native, has said, 'a different kind of relationship is created between the images and the audience, switching it from recognition to engagement with the piece...'"
Jonathan Curiel - SF Weekly, 2012.
​"What a delightful and creative woman is Eliane Lima. She produces a lot of high quality work in both film and video and doesn't appear to get tired out doing so. Ms. Lima seems to know how to jazz scenes up on the surface while still retaining a great depth of feeling in subject matter..."
​George Kuchar - SFAI, 2010.